Keane by Lodge H. Kerrigan leads from the first moment into the world of a mentally disturbed person. A man looking for his kidnapped daughter. He is nervous, he is insecure, he tries to think and the more the movie follows him, the less it is clear, how much this person can be trusted. Was the daughter really kidnapped? Does he have a daughter at all? Did he maybe kidnap a girl?

William Keane appears to be a drug addict and a mad man – but is he really or is he just a person that needs help? The movie does not gives answers to this – it just leaves us with William, of whom one gets more and more afraid. When a woman, who lives next to him, starts trusting him and asks him to care for her daughter for a while, the audience just waits for the inevitable tragedy to happen. Every situation that Keane is confronted with offers a possible mistake to be made, a crime to be committed.

Kerrigans movie offers a look into the instability of the mind without giving explanations. It shows a hopeless world and a short flickering of a light at the end of the tunnel – without being pathetic. It takes the audience from a different angle and leaves no other opportunity than to let us be guided by our feelings, as no reason is visible – truth and background are missing. Keane does not need to commit any crime; we do that for him in our fearful minds, while watching the movie.